% ========================================================================== % Tunes with Suggestive and Bawdy Titles (mostly from 18th century Scotland) % ========================================================================== % % Jack Campin 2009 % % ========================================================================== % The metronome marks are guesswork on my part (words like "Slow" are in the % original sources). X:1 T:Hit her upon the Bum Z:Jack Campin S:Caledonian Pocket Companion v6 M:6/8 L:1/16 Q:3/8=80 "Slow" K:E Dorian f2 |Te4 A2 cB`cd``ef | g2G2B2 d4 f2 | Te4 A2 cB`cd`ec | a2``A2c2 Te4 (dc) | d3```e``f2 g2(ag``fe)| d2G2B2 d4 f2 | e4 A2 cB`cd`ec | a2``A2c2 e4 :| a2 | A2``a2``e2 c2`e2``c2 | g2G2B2 d4({c}B2)| A2``a2e2 c2`e2`c2 | A2``a2e2 c2e2c2| d2``f2``d2 c2`e2``c2 | g2G2B2 d4 f2 | e4 A2 (e2`cd`e2)| a2``A2c2 e4 :| e2 |(c2``AB``A2) (c2`AB``A2)| g2G2B2 d4 B2 | (c2``ABA2) (e2`AB`A2)|(a2``ABA2) e4 c2 | d2`(a^g)a2 c2(a^g)a2 | B2G2B2 d4 a2 |T^g4 f2 e2(cd)e2 | a2``A2c2 e4 :| (f^g)|(a^g)a2``A2 (ed)e2``A2 |=g2G2B2 d4 B2 | (a^g)a2A2 (ed)e2`A2 |(a^g)a2A2 e4 =g2 | f2`(df)`a2 e2(ce)`a2 | g2G2B2 d4 a2 |T^g4 f2 e2(cd)e2 | a2``A2c2 e4 :| (cB) | A2``a2``A2 a2`A2``a2 | g2G2B2 d4 B2 | A2``a2A2 a2`A2`a2 | A2``a2A2 e3`fg2| f2``d2``f2 g2(ag``fe)| d2G2B2 d4 f2 | Te4 A2 Tc3``d`e2 | a2``A2c2 e4 :| d2 | c2``A2``e2 c2`A2``d2 | B2G2g2 B2`G2`e2 | c2``A2e2 c2`A2`a2 | c2``A2e2 a2c2A2| d2``b2``d2 c2`a2``f2 | g2G2B2 d4 f2 | e3c A2 Tc3``d`e2 | a2``A2c2 e4 :| X:2 T:Hitt her between the legs Z:Jack Campin S:William Dixon MS, 1733 N:This is a bagpipe tune, written in this key on a 4-line staff. N:It would more often be written in A mixolydian these days, as N:it is in Matt Seattle's edition "The Master Piper". M:6/4 L:1/8 Q:3/4=100 K:G Mixolydian G2B2G2 G2Bcd2|G2B2G2 d4 B2| G2B2G2 G2Bcd2|F2A2F2 c4 A2 | G2B2G2 G2Bcd2|G2B2G2 g2d2f2| e2c2e2 d2B2d2|c2A2F2 c4 A2|| g2B2G2 BABcdB|g2B2G2 d4 B2| g2B2G2 BABcdB|f2A2F2 c4 A2 | g2B2G2 BABcdB|g2B2G2 g2d2f2| e2c2e2 d2B2d2|c2A2F2 c4 A2|| B2G2G2 B2G2G2|B2G2G2 d2A2A2| B2G2G2 B2G2G2|A2F2F2 f2A2A2 | B2G2G2 B2G2G2|B2G2B2 g2d2f2| e2c2e2 d2B2d2|c2A2F2 c4 A2|| gfefg2 BABcd2|g2B2G2 d4 B2| gfefg2 BABcd2|f2A2F2 c4 A2 | gfefg2 BABcd2|g2B2G2 g2d2f2| e2c2e2 d2B2d2|c2A2F2 c4 A2|| G2BcdG dGBcdG|dGBcdG dABcdA| dGBcdG dGBcdG|dABcdF c4 A2 | G2BcdG dGBcdG|dGBcdG B2G2G2| BcdcBA efgfed|f2A2F2 c4 A2|| Tg4 g2 BABcdB|g2B2G2 d4 B2|Tg4 g2 BABcdB|f2A2F2 c4 A2 | Tg4 g2 BABcdB|g2B2G2 g2d2f2| e2c2e2 d2B2d2|c2A2F2 c4 A2|| G2BcdB dcBcdB|G2BcdB d4 B2| G2BcdB dcBcdB|f2A2F2 c4 A2 | G2BcdB dcBcdB|gfefge dcBcdB| cBcdec dcdefd|c2A2F2 c4 A2|| BcdBG2 B4 G2|BcdBG2 c4 A2| BcdBG2 B4 G2|ABcAF2 c4 A2 | BcdBG2 B4 G2|BcdBG2 B2G2G2| cBcdec dcdefd|c2A2F2 c4 A2|| X:3 T:The Scots Wriggle Z:Jack Campin S:Caledonian Pocket Companion M:9/8 L:1/8 Q:3/8=108 K:G G2c TB2G (B/c/d)B| G2c TB2G efg | G2d TB2G dBG |TF2A AFD (F/G/A)F:| G2g g2G B/c/d`B| G2g g2e (f/g/a)f| gfe dcB cde |TF2A AFD (F/G/A)F:| G3 BGB (A/B/cA)| G3 BGB (A/B/c)A| G3 BGB (A/B/c)A|(B/c/d)B gdB AFD :| G2g gdB dBB | G2g gdB def | g2b afd gdB | Ace EFG AFD :| G2B dBB (b2g) | G2B dBB aAA | G2B dBB (b2a) | gfe dcB AFD :| (d2B) (d2B) dgb |(c2A) (c2A) cfa |(B2G) (B2G) (b2g) | g(e/f/g/e/) d(B/c/d/B/) AFD :| X:4 T:How can I Keep My Maidenhead Z:Jack Campin S:NLS MS 21717 (flute tunes) M:C| L:1/8 Q:1/2=112 K:F F2FG AGFA|G/G/G Gc dcdf|fgfd cAFA|GAFC D/D/D [1 d2:|\ [2 df|| cdfg agfa|gfga Tgfdf|cdfg agfa|gfga f/f/f f2:| X:5 T:The Black Part of the C--t Z:Jack Campin S:George Skene, NLS Adv. 5.2.21 (fiddle tunes part) M:C| L:1/8 Q:1/2=112 K:A Mixolydian c>BAe eB/B/ Be|c>BAe fd/d/ df|eA/A/ Ae eB/B/ Be|ee````fd Te2d2:| c/A/A c/A/A B>B```Be|c/A/A c/A/A f>e```df|c/A/A c/A/A B>B```Be|de/e/ f>d Te2d2:| X:6 T:The Well Buked Ballap Z:Jack Campin S:James Thomson's MS for the treble recorder, 1702 N:The title means "The Well-Filled Codpiece" M:C L:1/16 Q:1/4=120 K:G Mixolydian de|f3g f2c2 A4 c2ef|g3a g3d B4 d2 de|f2f2 Afed e2e2 cdec|d2de d3G B4 d2:| fe|defg f3c A4 c2ef|efga g3d B4 d2 de|defg f2ed cdef e2dc|Bcde d3G B4 d2:| X:7 T:I've seen as good as you muffed below the Covering Z:Jack Campin S:George Skene, NLS Adv. 5.2.21 (fiddle tunes part) M:9/8 L:1/8 Q:3/8=120 K:G Dorian G>AG B2g ge/f/g|G>AG B2f cAF|G>AG B2g ge/f/g|f3 F>GA/B/ cAF:| f2d dB/c/d dB/c/d|f2d dB/c/d cFc|f2d dB/c/d dB/c/d|f3 F>GA/B/ cAF:| X:8 T:Maggie's weam is fu I true Z:Jack Campin S:NLS MS Adv.5.2.22 N:last bar 1st part is |fdeg d/d/d d:| in score, this way in marginal note M:4/4 L:1/8 K:D B|ADFD ADFB|ADFA E/E/E GB|ADFD ABde|fdef d/d/d d:| A|defd geaf|gefd e/e/e eB|defd eBdA|BAdF D/D/D D:| X:9 T:My Dear durst I but but M-w you Z:Jack Campin S:George Skene's MS of 1715, NLS Adv.5.2.21 (fiddle tunes part) M:C| L:1/8 K:G A|G/G/G GE A2AB|G/G/G GE GBGE |GBGE A2AB|G/G/G GE G3 :| B|G/G/G Bd eAAB|G/G/G BG dGBd |e/e/e dB eAAB|G/G/G GE G3 :| g|e/g/f ge a2ab|g>age g/e/g/a/ ge|g>age a2ab|g>age g/g/g g:| B|G/G/G Bd eAAB|G/G/G BG dGBd |e/f/g Bd eAAB|G/G/G GE [g2B2D2G,2]g:| X:10 T:Tail Todle Z:Jack Campin S:George Skene's MS, 1715, NLS Adv.5.2.21 (fiddle tunes part) N:The ornament here interpreted as an inverted mordent (P) is written N:as "x" in the MS; the one taken to be a trill (T) is written as "=". M:C| L:1/8 K:A Mixolydian % Introduction dd`````Pfd ge````````gB | dd``````Tfd Te2 (cA) |\ Pdd``````fd Pge```````Tfd |Tee f/g/a Te2 (cA)|| % % Tune ~dd``````fd g2 dB | dd```````fd c/d/e (TcA) |\ dd``````fd ~ge````````fd | ee f/g/a Te2 (cA):| ~g2 (.dB) (B.g)``````dB | g2 .d(B B).e (TcA |\ g2) Bg a/g/f/e/ Tfd | e/f/g/e/ f/g/a/f/ Te2 (cA):| % % Last time d/d/d T(fd) ~ge````````gB | d/d/d (gd) (eA) TcA |\ d/d/d T(fd) Pge```````Tfd | e/e/e f/g/a Te2 (cA) | (g2 B)g Bg```````(d{c}B| g2) Bg Ae````(TcA |\ g2) Bg a/g/f/e/ fd | e/f/g f/g/a Te2 cA || ~g2 (.dB) (B.g)``````dB | g2 .d(B B).e``(TcA |\ g2) Bg a/g/f/e/ Tfd | e/f/g/e/ f/g/a/f/ Te2 (cA)|] X:11 T:Tail Todle S:Margaret Sinkler MS, Glasgow 1710 Z:Jack Campin M:4/4 L:1/8 Q:1/2=104 K:G Mixolydian G2G2 B2G2|c4 A2F2|G2G2 B2 G2 | d4 B2G2 | d4 B2G2|c4 A2F2|G2g2 d2 e2 | d4 B2G2|| D2D2 B2G2|ABc2 A2F2|G2G2 B2 G2 | Bcd2 B2G2 | Bcd2 B2G2|ABc2 A2F2|Bcd2 ef g2 | d4 B2G2|| B2d2 d2f2|c4 A2F2|B2d2 d2 e^f| gfed g2d2 | =f2ef gfed|c4 A2F2|GABc d2 g2 | d4 B2G2|| D2D2 B2G2|ABcB A2G2|G2G2 B2 G2 | Bcdc B2G2 | Bcdc B2G2|ABcB A2F2|BcdB e^fge | d4 B2G2|| BAGc dBgd|cdcB AGAF|GABc dB`ec |^fdge afge | =fgag fgfd|cdcB ABAF|GABc de^fg | d4 B2G2|] X:12 T:Sheelah na Gig Z:Jack Campin S:NLS MS 21841 (C.K. Sharpe collection of sheets) M:9/8 L:1/8 Q:3/8=112 K:D FGA ABc d3 |FGA GB=c B3 :| d2d ded cBA|c2c cde AFD |\ ddd ded cBA|B2B Bcd AFD:| [G3E3B,3] BGE BGE|G3 BGE AFD |\ G3 BGE BGE|FGA Bcd AFD:| X:13 T:The Queen of Sluts Z:Jack Campin S:Raven, 1000 English Country Dance Tunes M:2/4 L:1/8 Q:1/4=144 K:G g2 dB|cd`ef|g2 dd|cA A2|g2 dB|cdef|gbaf|g2 z2:| a2 fd|a2 gf|ef`ga|gf`ed|dB`cd|efga|gfed|g2 z2:| X:14 T:Geld him Lasses Z:Jack Campin N:It's unlikely you were meant to play this with no repeats N:as it was written. But I can't decide what repeat structure N:might be most appropriate. Maybe treat one or both of the N:first two sections as a refrain? S:Thomson MS, 1702 M:6/4 L:1/4 K:D Dorian f2 TA2 F2|Ac2 fTed|g2 TB2 G2|Bd2 fTed|| f>g ag f2|Ac2 fTed|g>a ba g2|Bd2 fTed|| fF AF fF|Ac2 fTed|gG BG gG|Bd2 fTed|| f>g f/g/a/g/ f2|Ac2 fTed|g>a g/a/b/a/ g2|Bd2 fTed|| fe/d/ c/B/A/G/ F2|Ac2 fTed|gf/e/ d/c/B/A/ G2|Bd2 fTed|] X:15 T:Steer her up and had her gaan Z:Jack Campin S:Aird's Airs v1 (NLS Inglis.33) #118 M:4/4 L:1/8 Q:1/2=112 "Brisk" K:D (fe)|d2d2 f3e|defg a2 AG | F2 A2 A2 (GF)|E2E2 {B}c3e| d2d2 f3e|defg a2 (ag)|(ba)(gf) (ed)(ec)|d4 D2:| (Tfe)|d2A2 F3A|dAGA F2(TED)| E2 =c4 e=F|G=FED [E2C2] Tfe |d2A2 {G}TF3E|DEFG A2 gf | ef``gf ec``Ac |d4 D2:| X:16 T:Piss upon the Grass Z:Jack Campin S:Rutherford, Compleat Tutor M:6/8 L:1/8 Q:3/8=124 K:C c2c c>de/f/|g2e c2e |d2e d2e|d2c BAG| c2c c>de/f/|g2e c2e |d2c B2A|G3- G3:| d2e d2e |d2e dBG |e2f g2a|g2a gec| f2e f2g |a2b c'ba|gfe dcB|c3- c3:| X:17 T:4 bare legg's in a bed T:Scotch Portion Z:Jack Campin S:NLS MS.21716 M:9/4 L:1/4 Q:3/4=100 K:G Dorian A2B cBA BAG|^FAA A2G FED | BAB cBc d3 |DGG G2A BAG:| f2f fgf e2d| cAB A2G ^F>ED|[1 g2g g>ag ^f2d| dgg g2a bag:|\ [2 BAB cBc d3 |DGG G2A BAG|] X:18 T:[She's] Sweetest When She's Naked Z:Jack Campin S:Henry Atkinson's MS, 1690s, via MH M:6/4 L:1/8 Q:3/4=60 K:A Minor A2e3f (d2c/d/)e2|A2 c4 GE`DE G2|A2 c4 dcde`ga|e3 dcd e2 A4:| A2d4 d3 e d2|e2 g4 g3 a g2|ge`de g2 gede g2|agabab g2 e4 | e2fedc dcde```ga|ge`dBAG E2 G4 |A2 c4 dcde`gd|efedcd e2 A4|] X:19 T:Wantoness for evermore Z:Jack Campin S:Robert Petrie: A Collection of Strathspey Reels & Country Dances, Edin 1806 N:via MH, MS.21690 M:4/4 L:1/8 Q:1/4=80 "Slow" K:E Minor EFGA B2B2|BAFA {A}B4 |E2FG A3 d| AFEF D3 F| EFGA B2Bd|BAFA B2de|fdeB dBAF|({F}B4) E4:| Tf3 e d2f2|e2de B3^c|d3 B A2d2| AFEF D2 de|f3 e d2f2|e2de B2de|fdeB dBAF| B4 E4:| P:Variation (E/F/E/F/) (G/A/G/A/) Bg`eB |(B/c/B/A/) (F/E/F/A/) B4 | EB, GE AF dB| AB/G/ FE Dd AF| (E/F/E/F/) (G/A/G/A/) B(bgf)|(efg).f (ed)(cB)|.A(c`BA) BG`AF|({A}B4) E4 :| (fgf)e dD df|ef`ed ^cA`Bc|df````dB AB`````````^cd |AGFE DAde| (fgf)e d^c df|ef de B^cde|fd/f/ eB/e/ (d/^c/B/A/) (B/A/G/F/)|B4 E4 :| X:20 T:Claw her weam Z:Jack Campin T:The Lass of Livingston S:Atkinson MS via MH N:MH appears to indicate B2 as an alternate first note in bar 7 M:4/4 L:1/8 Q:1/4=120 K:D Minor C/D/ |F3 G A3 f|cAcf cA`GF|A3 F G3 F/G/|A3 G G3 F/>D/|F3 G A3 d|cAGF GA c2|d2 D2 D2 CD |F2D2 D2:| a/g/ |fcfg fgag|fcdf cA`GF|A3 G G3 F |A3 G G3 F/D/ |fgag fafd|cAcd cd`fg|a2 D2 D2 CD |F2D2 D2:| X:21 T:Tom come tickle me Z:Jack Campin S:MacFarlan MS II #230 N:early version of the tune later called "Trip to Sligo" in Ireland M:6/8 L:1/8 Q:3/8=120 K:E Dorian E |G2e BGE|F2d AFD|E2e BGB| AFD E2:| c/d/|edc BGE|dcB AFD|edc BeG| AFD E2:| F |E>FE BEB|FDF AFA|E>FE BEg|Tf>ed e2:| g/a/|bge bge|afd afd|bge beg|Tf>ed e2:| X:22 T:Ha'd the lass till I win at her Z:Jack Campin S:MacFarlan MS II # M:4/4 L:1/8 M:1/2=108 K:D Af`fg fdec|Ae`ec dg B/c/d/B/|Ae`eg fd`ef|g>edg BGdB:| Aa f/g/a fdec|Aa f/g/a dG`dB |Aa f/g/a f>def|g>edg BGdB:| X:23 T:Our Bride's No Maiden Z:Jack Campin S:MacFarlan MS II #179 M:9/8 L:1/8 Q:3/8=100 K:G Mixolydian cef gcg (a/g/``f/e/)(d/c/)|d2a (f/g/a)d f2a |\ cef gcg (a/g/``f/e/)(d/c/)|c2g (e/f/g)c Te2g:| ceg ceg (a/g/)(f/e/)(d/c/)|d2a (f/g/a)d f2a |\ ceg ceg (a/g/)(f/e/)(d/c/)|c2g (e/f/g)c Te2g:| ceg ceg (a/g/)(f/e/)(d/c/)|d2a (f/g/a)d f2a |\ c>de/f/ gcg (a/g/``f/e/``d/)c/|c2g (e/f/g)c Te2g:| X:24 T:Under her Apron Z:Jack Campin S:MacFarlan MS II #175 M:6/8 L:1/8 Q:3/8=100 K:D Dorian c |ABA ded|Tc2A G2G|ABA ded|ede d2 g/f/|ede fed| cBA GAB|cBA def|ed^c d2:| A/B/|cA/B/c/A/ dB/c/d/B/|cA/B/c/A/ BG/A/B/G/|\ cA/B/c/A/ dB/c/d/B/|ec/d/e/c/ f2 g/f/|ede fed |cBA GAB |\ cd/c/B/A/ def |gce d2 :| X:25 T:I canno' win at her for her big Belly Z:Jack Campin S:MacFarlan MS II #148 M:6/8 L:1/16 Q:3/8=100 K:A Mixolydian d4 A2 TB4 A2|e4e2 fga2f2|d4 A2 TB4 A2|TF4A2 Bcd2A2:| d4(a2 a2)fgaf|e4e2 fga2f2|d4 (a2 a2)fgaf| d4d2 fga2f2 | gab2g2 fg`a2f2|e4e2 fga2f2|d4 A2 TB4 A2|TF4A2 Bcd2A2:| d2A2d2 TF3``ED2|e4e2 fgagfe|d4 A2 TB3``AG2|TF4A2 Bcd2A2:| d4 a2 ag`fgaf|e4e2 fga2f2|d2f2d2 a2`fgaf| d4d2 fga2f2 | b2gabg a2`fgaf|e4e2 fgagfe|d4 A2 TB3``AG2|TF4A2 Bcd2A2:| X:26 T:Ay as she piss'd she padled it Z:Jack Campin S:McFarlan MS II #12 M:C| L:1/8 K:D Dorian D|G2G2 ABcA|TB3A G2c2|TA3G F2f2|TA3G F2A2| G2G2 ABcA|TB3A G2c2| A2F2 ABcA| G4 d3 :| c|TB2 d4 e^f|g2d2 BcdB| g2d2 BcdB|f2c2 ABcA| TB2 d4e ^f|g2d2 BcdB|TA2F2 ABcA|G4 d3 :| D|GFGA BABc| dc```````BA GABG|AcFc AFcA|fedc ABcA| GFGA BABc|(d/c/B/c/ d/c/B/A/) GABG|AGAB cAdF|G4 d3 :| (d/4e/4f/2)| g>dTB>d g>dTB>d|(g/^f/e/f/ g/f/e/d/) Bd g(d/e/)|f>cA>c f>c`````A>c|fedc Acfa| TBdga gdef | gfed Bd`gB |cB`c(e d)e/^f/ gA |G4 d3 :| d/c/|BGB(d d)e/^f/ gc|Bd2B GA_Bc| A F2 A f(e/d/) (c/d/c/_B/)|TA3G FGAc| BGB(d d)B2 g|Bd2B GA`BG|(A/G/A/B/) (c/d/e/^f/) g(f/e/) (d/c/B/A/) | G4 d3 :| e/^f/|gG`````````dG (B/A/B/c/ d)G|Bd2 e/^f/ gdBG|fFAF (A/G/A/_B/ c)F|Ac2d/e/ fcAF| g/^f/e/d/ TB(d d)e/^f/ gd |eg d/c/d/c/ TBdgB|cBcA (d/c/d/e/ d)D|G4 d3 :| X:27 T:The Bellbird Sings in the Cunt of Death Z:Jack Campin C:Jack Campin N:This is basically the New Zealand national anthem speeded up and N:in a different metre and mode. I was experimenting with perverse N:variations on it: this Playford-like jig emerged. So it needed a N:suitably anti-patriotic title. N:The reference is to the legend of the Maori hero Maui, who tried to N:destroy death. He borrowed his grandmother's jawbone to use as a N:club, and led an army of all the birds of the forest up the vagina N:of Hine Nui o Te Po (The Great Lady of the Void, the goddess of death) N:to kill her while she was sleeping. Maui told all the birds to keep N:quiet so as not to wake her, but the bellbird couldn't stop himself N:letting out a tweet. Hine Nui o Te Po awoke and crushed Maui with her N:cunt muscles. M:6/8 L:1/8 Q:3/8=100 K:G Dorian G2F G2D|BAB G2F|EGc DGB |A>FE D2F| G2D E2F|GAG B2c|BAG EF/G/A|G>^FE G3:| d2d B2c|d_ed d2d|A2B c>AG |F>GE D2F| G2D E2F|GAG B2c|BAG EF/G/A|G>^FE G3:|